Features. Incidentally, Rousseau says that Selmer and Yamaha use the same brass alloy (65 copper and 35 zinc) in their saxophones. He has no objection to the use of tape or a dental appliance by those players who have sharp lower teeth as he does. In addition to those on the internet, there are also several saxophone fingering charts available in various saxophone method books. The tenor is frequently flat in that register and often should use fingerings that are a half-step higher than the alto; in other words, use the alto’s G fingering for the tenor’s F-sharp. Whether one can or cannot upgrade an instrument, upgrading the mouthpiece will enhance performance. I love the horn, and it plays great, but it's a minor annoyance. Many student players take the time to tune to one note — which is fine for a start. You don’t want your tongue to be closing off your throat. Also pay attention to the position of your tongue. All of those things are typical bad habits and ways we cheat to try to get the extreme registers out. When I try to it says its submitting but just set’s there and does nothing. This 6 part video course gets delivered via email over a week. I know a lot of younger students are watching my videos and I’m glad it’s making their teachers’ lives easier. Don’t let the air stream thin out by keeping the same basic pitch on the mouthpiece softly as loudly.”. MM. Once I’m done with that I take my mouthpiece off and I practice with just the mouthpiece on its own. Could you send me the exercises and the fingering chart for altissimo. Switching to my tenor, which is a Mark VI, I often go to use it only to find that it isn't there. High G or altissimo G is a hard note to play. The only reliable F Alto is the Conn “Mezzo-Soprano” Saxophone from 1928/29. Saxophone Equipment and the Saxophone Section, Tuning the Concert Band Saxophone Section, The Rousseau JDX Baritone Saxophone Mouthpiece, The Rousseau JDX Tenor Saxophone Mouthpiece, The Rousseau Classic NC Tenor Saxophone Mouthpiece, The Rousseau Classic NC Alto Saxophone Mouthpiece, The Rousseau Classic R Soprano Saxophone Mouthpiece, The Rousseau Classic R Alto Saxophone Mouthpiece, The Rousseau JDX Alto Saxophone Mouthpiece, The Rousseau Studio Jazz Soprano Saxophone Mouthpiece, Lower lip curved over teeth, drawn toward center for cushion. 1. Bring corners of the mouth in, toward the center -round feeling. Many notes on the saxophone have only one possible fi… Add this page to your favorites! Unlike the smaller saxophones, the baritone overblows the palm keys a minor sixth; as the palm key pitches become higher it gets closer to a major sixth. I’m finding more and more possibilities of each note and I’m looking for fingerings that are easier to move around between notes. Cheers. The other fingering uses the ‘high F’ key with the pointer finger of the left hand and the middle finger of the left hand pressing the C key (and the octave key). The tenor saxophone shares many intonation tendencies with the alto. Do you have any other exercises to improve my playing so I can incorporate these notes on a regular basis like they were regular notes? Middle F-sharp: It is possible to use the ring finger (instead of the middle finger) of the right hand. To determine the correct balance between air and embouchure, a simple test is to play a note using only the mouthpiece. 8 ve Key. Having said that, the octave key mechanism is different on various models and there are parts of those mechanisms that sometimes require a bit of play in order to function properly. The high range is F sharp and it sports a C sharp - B flat connected table key and hardened steel springs for a great playing feel. The high F-sharp is not as important.” One should be aware that the low A key will cause the left hand to assume a slightly different position. Thank you for your help. E. F. F sharp G flat. The right hand is used to operate the octave key in order to minimize any reaction from the embouchure or air caused by the normal use of the left thumb. Then, when tuning the section further, note the five examples below. Why is that? It’s playing long tones, on the mouthpiece all by itself and overtone work. The concept of warm air is related to the amount of air employed and to its speed; it should not be confused with support of the air stream. The point is that it is much less than people think. Thanks so much. The tenor’s high G and G-sharp (the highest notes of the first octave key) are also unstable and as a result have a tendency to crack because the upper vent tube is too low; Rousseau recommends playing the pitches without tonguing in order to “find the target.”. Click below for some tips on how to play the saxophone in tune: Another thing to keep in mind is that once you start getting these altissimo notes coming out in the practice room about 99 percent of the time, when you then go and try to use those notes in a performance at first they probably aren’t going to be coming out. Blowing down without changing the position of the head is another of Rousseau’s techniques to help the student understand the concept. C to D-flat: Trill the RSK2 or, possibly, the RSKI and 2 together. This is a result of the lower octave key being too low on the instrument body. The front F is very easy to reach without needing to remove your 1 st finger of the left hand from the B Pearl. Think of ‘warm air’, similar to fogging a mirror. The straight soprano is at such a different angle (it must either be held out or the player must duck his head) that it may sound very differently to the performer but not to the audience. The use or non-use of annealing during the manufacturing process, in which the metal is heated and then slowly cooled to prevent brittleness. Intermediate-Advanced, Develop essential fundamental skills on saxophone. Unlike the other saxophones, tenors with the RSK4 can play the side keys up to middle F. Rousseau finds that it is easier to get good reeds for tenor and baritone than it is for soprano and alto. Also your teacher could be talking about the F# above your B pointer finger. Sometimes the player is “too open, too loose … going too much for the lower octave.”, “The air speed does change. It’s not 100% the same, but it’s darned close.”. The lacquer finish is outstanding and the horn comes with a ligature and cap. Directors should be aware of the mouthpieces and other equipment being used by each player. Having all players in the section use the same style/brand of an advanced mouthpiece will help to congeal a section sound more quickly. 2. Easy access from the Palm Keys. The excess movement will be noisy on those keys like the octave key you mention. But normally on tenor I add that side key, lift up my second finger and put down my first finger in the right hand. 07-20-2007, 06:36 PM. You want your air to be doing the work. Chris, I always use fingerings for altissimo notes but I’m always changing the fingerings I use. G is one of the most difficult altissimo notes and different instruments and mouthpieces will respond better with different fingerings. We’re going to start with the note E, your high front E. Now we get into our first altissimo note, F-sharp. At times, we might blame the player when, in reality, this complex instrument can fail mechanically in many small ways that affect performance. The EB E-Flat Alto Saxophone model has High F# and front F key. Whether you play an alto saxophone, tenor saxophone or any others, the range is the same for all saxophone, therefor, the saxophone fingering chart shown below applies to every type of saxophone. If this does not occur, the air/embouchure balance is not correct and the size of the embouchure needs to be adjusted. The soprano will feel different because the hands are extremely close to the body but there is no substantial difference in the angle between soprano and alto because the angle of the head is different – the critical factor is that the instrument must come to the player comfortably. Mr Metcalf my name is Fred Marsh from Australia, I have retired from actually performing just on 2years in 2/3/4/6/ piece bands These are different to “false” or alternate fingering which actually alternate from one to the other and back again and are used to create a special effect. Not your mouth, not your jaw, not your lips, your air stream does all the work. E. F. F sharp G flat. Tenor. Sometimes I just add the side B-flat key as with the alto. Since my instrument doesn’t have “front keys” for the altissimo range above F, I assume I can’t benefit from your altissimo video? A socket is soldered to the bottom of the instrument and an adjustable rod is screwed into the socket. My main goal is to incorporate (wire-in to my memory bank) the chromatic pattern into my playing. These chords are in concert keys, followed by the steps for tuning. supporting Artists, and travelling around the country, and abroad, I am turning 75 in a couple of months, have 10 Grand Children, and both my Wife and I still kicking a long lol! Your email address will not be published. If your tuner shows your sound to be a little low or flat, then you will need to push your mouthpiece further in on the neck cork. Maybe you’re willing to sacrifice a little bit of intonation for a certain fingering in order to get the notes to come out easier so you can play something a bit faster. The tone is created by the air column, which is controlled and refined by (1) the air used and (2) the embouchure. There are many different possibilities for each note. I have a 1959 Selmer Paris Tenor, a 1936 Dolnet Paris Alto I play my overtones over about three octaves on low B-flat, B and C and sometimes I go up to C-sharp and D. I play a couple exercises and a couple melodies just with overtones. This alto saxophone utilized PISONI pads which are the most widely used, trusted, and well respected in the industry, reassuring you that this a saxophone … High D to E: Trill the LSK3. 8 ve Key. Rousseau describes dealing with reeds as “a constant process; the ‘number one’ reed is always changing.” He is not committed to one brand of reed but pragmatically uses whatever reed produces what he wants. My alto is a Yamaha EX, and I'm very accustomed to having the high F#. If it is too low, think of a smaller circle. It's kind of difficult but I managed to play it fast so that you can't hear the High C Sharp, when I mess up the Altissimo F Sharp sounds buzzy. Like everything else on saxophone, playing in the altissimo range is really hard until one day it’s not so hard. F-sharp is different on tenor and alto saxophone. For alto and soprano, this is fingered: Octave Key, front F key, RH1, high F# key. For a list of publications, books, DVDs, solo and ensemble music and more for saxophonists at all levels, please visit the Music and Publications page. This sax has PISONI pads which are the most popular and trusted, so you won’t need to re-pad any time soon. The key is used for various other altissimo fingerings as well. Rousseau notes that simply supporting the straight soprano saxophone with the right thumb can create a problem of endurance. The next scale we are going to look at is the E major scale. Different instruments will often prefer variations on the fingerings to get the best response and tuning. I normally use the palm keys to reach altissimo D, E, and F. It’s what you’re doing in your throat and what you’re doing with your embouchure and what’s going on in your head that’s going to help you get those notes out. Students for Students. The corners of the mouth must be well-supported and the feeling of roundness should extend back into the mouth; he recommends the player “think of the inside of the mouth as part of the air column” because “the generation of the tone does not start at the tip of the mouthpiece, but back within the player.”. Thank you!! There are crucial differences in the altissimo register, which is most difficult on soprano and less so on the larger instruments. On alto sax, G-sharp is one, three, one plus the side C key (the middle right hand side key). In each audio clip listen to the first long note of the alto saxophone (they each have slightly different pitch). The presence or absence of a rod at the opening of the bell. Intonation tendencies also vary. On one of my tenors I play just the front F key for G but on another I add the side Bb for tuning. In addition, some older saxophones, won’t have a high F-sharp key, which means some alternate fingerings will be needed to play this note. Why cant I download the altissimo PDF. LEFT-HAND KEYS These keys include the high C key, B key, B-flat key, A key, G key, G-and sharp key. That's a nice little addition as well. A harness is also possible as is a tripod, but that seems to be the least satisfactory solution because of the lack of flexibility. One should keep the air going with the same focus as at forte. High F-sharp and high G: These two keys are located next to each other and can be played with the palm of the right hand, specifically the area just below the wedge between the thumb and forefinger. The Front Fingerings ... fingerings with the high F-sharp key (i.e., LSK 1, 2, 3 and RSK 3 & 4), as well as the . Most saxophonists are initially attracted to the instrument by its sound and that topic is often what Eugene Rousseau addresses first in saxophone workshops, master classes, and his studio. Again, Rousseau offers a checklist: If you play only one saxophone, you don’t play them all.” Rousseau believes in the value of versatility, whether it is the ability to speak the language of classical music in addition to the language of jazz, to teach music history and music theory, or to have a working familiarity with soprano, alto, tenor, and baritone saxophones. both given to me by my Father a long time ago, i have a lot of time on my hands now, that’s how I found out about you, and as you can imagine, these Horns mean so much to me, In one of your links you said you worked on Horns, and noticed you knew what you were doing, the question I’d like to ask you, in a complete overhaul, every shaft that work the Keys, should be tightly screwed in, other words no play (movement), including the shaft that The location and size of the tone holes, including the pad height and pad material. It is made from real Brass and has hand engraved bell decoration. Try to let the air and throat do more of the work and relax the jaw. If your tuner says you are playing sharp, or too high, then move your mouthpiece out slightly on the neck cork. “You’ll never regret getting a baritone with a low A. Altissimo F-sharp and G on Tenor Sax. The chart is by Yamaha. This facilitates playing the F-sharp and G above high C (in the altissimo or … Try to get your tongue to relax and lay down flat. Don’t forget to download the free altissimo saxophone fingerings, and let us know how it goes in the comments! The thickness of the metal – generally speaking, thinner is better but the optimum thickness is about .085 inch. 8 ve Key. 1. Upgrading an entire section’s mouthpieces can also provide excellent results, especially if the mouthpieces are of similar make and design. Most important among the differences between the various saxophones is the mouthpiece pitch for each instrument – concert C for soprano, A for alto, G for tenor, and D for baritone. One tool for determining the correct amount of pressure around the reed and mouthpiece is the technique of “bumping the octave key.” The student plays a left-hand note such as B, A, or G and uses the right hand to flick the octave key. is this correct? Middle C-sharp: It is possible to finger low C-sharp without the first finger of the left hand and with no octave key. Players can improve their tone by inhaling quickly and deeply through the corners of their mouths. Rousseau observes that almost every classical saxophonist uses medium equipment that is very similar; this is not true of jazz players, who exhibit very personalized forms of expression. Sustain the following concert pitch at ff: Check the air/embouchure balance (Is the embouchure loose? This saxophone has the high F key but it can be tuned to suit your purpose. This G3 is hereby named “fork G”. Check your junk and spam folders for the missing emails. If you’ve got other altissimo fingerings that work for you for any of these notes, please put them in the comments below so everyone else can try them out and see if they work for them. For tenor sax, the fingering is slightly different. But normally on tenor I add that side key, lift up my second finger and put down my first finger in the right hand. The soprano saxophone seems to present more possibilities for unique trill fingerings. When playing high F# to Altissimo G I get a lot of cracking from one or both notes, ( Using front F#) I’ve gotten pretty good at playing altissimo but am having trouble going from F# to G. Any info on what I’m doing wrong? Here’s a picture of me playing the second option. The finger work for the basic notes is the same for all saxophones, so whether playing the baritone saxophone or the alto saxophone, the fingering chart is the same. There is another key at the top which controls the high F key, and it is called the high F auxiliary rocker. 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